This after it has been told to me off hand until I know it myself. Keep to the exact dialect as closely as I could, having the story teller to tell it to me word for word as I write. “I have tried to be as exact as possible. She wanted to preserve a language that was unique, pure, and lasting. Travelling from Florida to Alabama to Georgia and Louisiana, Hurston spoke with men and women, young and old, domestics and mine workers, housewives and jailbirds, collecting their tales word for word. In the late 1920s, with the support of Franz Boas of Columbia University, a circle of friends that included members of the Harlem Renaissance, and a wealthy patron named Charlotte Osgood Mason, Zora Neale Hurston set out to collect the folk tales of the rural south. The African-American storytelling tradition is one of the strongest, yet this astonishing collection of African-American folk tales has lingered in archival obscurity for decades-until now. Storytelling is an essential element of many cultural traditions-especially those that have had to carve their identities in an unfriendly setting and struggle to hold their communities together. Participate the way you do when you allow a song to transport you, all kinds of songs, from hip-hop rap to Bach to Monk, each bearing its different history of sounds and silences.”-from the Foreword by John Edgar Wideman Recall a front stoop, juke joint, funeral, wedding, barbershop, kitchen: the music, noise, communal energy, and release.

“Imagine the situations in which these speech acts occur. Invaluable tales of mischief and wisdom, spirit and hope.”-Booklist Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.“What treasures these are-mordantly clever and quintessentially human stories about God and the creation of the black race, the devil, preachers wily and foolish, animals, the battle between the sexes, and slaves who outsmart their masters. Weaving a vibrant tapestry of the rural South, this extensive volume of African-American folklore was collected in the late 1920s by Zora Neale Hurston on her travels through the Gulf States. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston' s literary legacy.

The bittersweet and often hilarious tales - which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners - reveal attitudes about faith, love, family, slavery, race, and community. 'Every Tongue Got to Confess' is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

Every tongue got to confess